Tony Stanhope
Cloud Microphones Cloudlifter CL-Z Review
The CL-Z is a unique box about the size of a guitar pedal, and it will do wonders for your low output microphones. Many...
DIYRE L2A Re-Amping Kit Review (1st Generation)
Re-amping is an essential service that tracking studios should be able to offer as their amplifier collection grows. Re-amplifier boxes offers an easy solution...
Apogee Duet 2 Review
The Duet 2 is one of the easiest interfaces to operate, making it the perfect solution for home recording enthusiasts looking for a portable...
Warm Audio WA73-EQ Review
The WA73-EQ draws inspiration from Rupert Neve’s legendary 1073 module. First introduced in 1970 as part of a 24-channel console, the 1073 quickly became...
Line 6 POD HD Pro Review
With 22 amp models, 8 microphone models, over 100 built in effects, the POD HD Pro is one powerhouse of a rackmount unit. The...
Focusrite Forte Review
In a continuous effort to make home and portable recordings sound as professional as possible, Focusrite released their newest 2 in, 4 out USB...
AKG Perception 420 Microphone Review
AKG has a long-standing reputation for being at the forefront of microphone technologies for more than 60 years. Founded in Austria in 1947, AKG,...
dbx 266xs Compressor/Gate Review
dbx has been a leader in compression technology, ever since their VCA compressor started the pro audio compressor market in the mid 70’s. Their...
Phoenix Audio DRS-Q4M mk2 Preamp Review
About the Phoenix Audio DRS-Q4M mk2
Other than being a mouthful to say, the DRS-Q4M mk2 packs a ton of functionality into a half-rack chassis....
PreSonus FaderPort Review
The PreSonus FaderPort provides even the smallest hobby recording artist with all the basic controls over their session that professionals rely on in a...
























